Cover of Gods and Heralds: Orion by Ted Dybaer, showing several dark fantasy characters and a mystical stone face.


Gods and Heralds: Orion


Introduction
Chapter1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Support Orion


Genre: Science Fantasy / Mythology
Target Audience: Teens & Adults
Status: Ongoing
Published: 3 Sample Chapters

Gods and Heralds: Orion is my passion project and an epic science-fantasy saga about gods, titans and heroes, inspired by the timeless tragedies of Greek mythology. Stories such as those of Hercules, Odysseus and Oedipus continue to fascinate us through their grandeur, cruelty and inescapable fates.

But what if such myths were not merely part of the past, but part of a modern world?

Monsters and heroes, inexplicable wonders and divine powers — in this story, the boundaries between magic and reality begin to blur.

Hydra in Gods and Heralds: two-headed sea monster attacking a sailing ship in a storm.
The Hydra, a mythological sea monster from Gods and Heralds.

The story combines classical mythology with fantasy, science fiction and philosophical questions about power, truth and the nature of reality.
Inspired by Arthur C. Clarke’s famous idea:
“Any sufficiently advanced technology is indistinguishable from magic.”

Gods and Heralds unfolds across a vast universe and begins with the farmer Orion Paragon.
When Aeolus, the Greek god of the winds, abducts his family, Orion is drawn into a conflict that reaches far beyond the fate of a single man.
To save them, he must unleash powers no mortal should possess — and discover whether the so-called gods are truly divine.

Orion Paragon from Gods and Heralds standing in stormy water with a trident and a large jar.
Orion Paragon, the protagonist of Gods and Heralds.
Aeolus' scrap barge from Gods and Heralds, a massive flying machine built from rusted metal, wings and a helicopter rotor.
Aeolus’ scrap barge.
Aeolus, god of the winds in Gods and Heralds, wearing dark armor and a green cloak beneath a stormy sky.
Aeolus, the god of the winds.

For in this world full of wonders, one question remains:
What if the gods themselves are part of a greater lie?

In dystopian Greece, technology has become rare, and hardly anyone still understands its true nature.
That makes it all the more significant — as a relic, as a tool, and as an object of worship.

Paragon's altar in Gods and Heralds, showing a statue of Poseidon, Sharpeye sniper rifle and the Anapoi gas mask surrounded by candles.
Paragon’s altar with Poseidon, the Sharpeye sniper rifle and the Anapoi gas mask.
The Mustang Express in Gods and Heralds, a car-drawn travel vehicle moving through a dark forest.
The Mustang Express, one of the safer ways to travel in dystopian greek.
Air Aether in Gods and Heralds, shown as an ancient glowing technology chip with a wind symbol.
Air Aether, an ancient technology.

It is both a blessing and a curse, woven into a world where even flora and fauna are no longer what they once were.
Distorted and estranged by unknown influences, creatures now roam the land that once existed only in myth.

Wild titans, fickle gods and heroes caught between morality and necessity.
Noble knights come face to face with true horrors — and not every monster is what it seems.

Notos, one of Aeolus' four Anemoi in Gods and Heralds, wearing a horned skull mask and carrying a rifle.
Notos, one of Aeolus’ four Anemoi, his highest-ranking knight, henchman and master of fire.
Lothar, a knight of the Order in Gods and Heralds, resting his hands on a sword in front of a heraldic dove shield.
Lothar, a knight of the Order, fighting to restore the honor of his family line.
Typhon from Gods and Heralds, a scarred and muscular titan consumed by hatred and rage.
Typhon, driven by hatred, rage and the pursuit of absolute power.

Gods and Heralds tells the story of a world where nothing is as it seems — and where even the truth comes at a price.

Work in Progress.

Pages: Page 1, Page 2, Page 3, Page 4, Page 5, Page 6, Page 7